Blog Archives
Swishbone, by Stephen Kerr
It has been well known for several years now that a man in a clown costume, flanked by two feral gibbering adolescents in dirty rags, with limbs twice the length they ought to be, held on chains held by the gloved hands of the clown, dances through a multitude of small towns in Georgia and Alabama, on their side streets and their playgrounds, their parking lots and their back yards.
In each of these towns, the vision decked in off white face paint, a dirty pink spherical nose, green flickering bloodshot eyes, blue and green and red flapping material, electric blue tufts of hair, enters with these two disfigured figures, lets them smell the warm Southern night air, then lets them off their leashes, wherein they scuttle off into the night – over fences, clinging to drain pipes as they scramble up walls, through open front doors.
At the end of each night, two adolescents with limbs twice the size they ought to be sheepishly crawl back like beaten dogs, and sit with their heads facing the dry grass as the clown places the collars back around their necks. He throws back his head and chuckles, then off he goes, before the dawn can touch him.
Each of these nights in which the clown comes to town, two young teenagers will vanish from their rooms, from their walks home, from their back yards, and each of these nights two stretched and inexplicable skeletons will be found in shallow graves in the Georgia or Alabama soil. They’re never identified.
~~~
BIO: Stephen Kerr is an early 20’s grave riser from Scotland with a passion for urban legend and the bizarre. Twitter: https://twitter.com/Phil_N_Stine.
Funhouse, by Kelly Haas Shackelford
The entrance door slammed, echoing down the long hall of mirrors in Death’s Funhouse. Running away from the packed crowd, fear gripped me. Strobe lights flashed psychedelic colors. Wildly, they splashed across the backdrop of the distorted reflections of the troupe of clowns slashing my friends’ throats.
Looking around the funhouse at the other college-aged girls, frozen in place and screaming, I vowed not be that girl. Hearing more shouts behind me, I shoved myself through the horde of onlookers that had turned to watch the macabre scene play out around us in twisted images.
The sweet scent of cotton candy filled the funhouse. I shuddered, wondering if it was a ruse to form a false sense of security. Glancing to my left, I watched two clowns take out the head cheerleader at our college. My stomach churned as a spurt of red splattered across the mirror. Its liquid streaked down in jagged lines.
Sticky beads of sweat oozed down my back. Its sickening feel, drove me harder to escape. Frantically, I searched for the exit. No reprieve was to be found. Heaving, I forced myself forward.
In the screams bouncing around the tight corridors, I heard my best friend. Turning, a loud groan escaped me. A tall clown, with a blinking red nose, held a knife to her throat. I wanted to run back, but I knew death had tagged her. She had lost.
Ten feet away from me, an exit sign blazed victory, but six clowns stood ready. I stopped. My heart raced, pounding in fear. Sensing safety in numbers, I waited for others to join me. The clowns stared back.
“Little girl, come here, little girl,” the largest clown teased, his deep smoker’s voice rasped. He threw his head back in laughter. Then his cold eyes danced, locking onto mine. Opening his arms wide, he dared me to try and escape.
A group of ten frat boys darted past me. I squatted, duck walking. Hidden below the dancing strobe lights, I held my breath for fear of being detected. Beneath the cover of darkness, I pushed forward as player after player were eliminated.
Inches away from the door, I felt my hair yanked. My head stretched back, exposing the tender crook of my neck. The large, glaring clown had captured me. His breath stank of garlic as he whispered in my ear. “No one escapes, Death’s Funhouse.”
In horror, I watched his hand rise above my throat.
Instantly, I dropped flat to the floor, breaking free. I rolled the last few feet, ignoring the grit and grime, digging into me. Jumping up, I slammed against the steel door as its hinges moaned, releasing me to emerge victorious into the daylight.
“Ladies and gentlemen, it looks like we have a winner.” The old carnival barker hollered, looking me up and down, searching in vain for fake blood.
I collapsed, gasping. My stomach knotted, threatening to heave up my funnel cake. Yet, I grinned. In five seasons of operation, I was the small town’s first winner.
The barker sulked over and hurled a $100 bill at me. I stared at my sweet reward for making it through Death’s Funhouse without getting my throat slashed by a fake blood squirting knife.
Whooping in triumph, all my friends gathered around me. “Come on, Bloody Mary’s on me,” I shouted. A fitting end to celebrate a bloody profitable night.
~~
BIO: I have been published in various venues such as Free Flash Fiction, The Old Red Kimono, Danse Macabre, Infernal Ink, and Black Petals. Also, for two years, I was editor of The Old Red Kimono, an award-winning literary magazine. For the last six years, I have run a Romance Enhancement Party Business…aka..toy parties sorta like Tupperware, but with batteries.
Meat for freaks, by Mathias Jansson
It’s a carnival of steam
joy and screams
when the circus shows
its new exciting
knife throwing machine
downtown New Orleans
Come closer, come closer!
come and see, tonight all is free!
come and visit our bizarre circus team!
The crowd sits tightly packed
when the machine
with chrome and pipes and steam
starts with a roaring scream
Thousands of knives per second
a lightning of steel in the dark
a sound of chopping thunder
when the visitors falls
as sliced cucumber to the ground
Crazy clowns and fat ballerinas
filling their buckets
with bloody meat and guts
in the spotlight of the circus ring
the manager smiling satisfied
when starved people, animal and beasts
once again can feast on meat
~~~
BIO: Mathias Jansson is a Swedish art critic and horror poet. He has been published in magazines as The Horror Zine Magazine, Dark Eclipse, Schlock, The Sirens Call, Apehlion and Trembles Horror Magazine. He has also contributed to several anthologies from Horrified Press, James Ward Kirk Fiction, Source Point Press and other publisher. Homepage: http://mathiasjansson72.blogspot.se/ Amazon author page: http://www.amazon.co.uk/Mathias-Jansson/e/B00BTDBYBQ/ref=sr_ntt_srch_lnk_4?qid=1366806658&sr=8-4
Shy Heahrug, by Paulo Brito
Shy Heahrug, the tallest clown midget on Earth, usually wanders around the Bridge City circus with a hand stuck in his pocket to cuddle his precious red camera, and dangling from the right ear he has a rose, from which he surgically removed petals with a gluttonous eating satisfaction. Thus, Shy Heshrug could, at first glance, be labeled as a weirdo; at a second look, we must conclude that he could have suffered from a head blow; to the third blink, nothing can be noticed – he will take a picture and the curious will be blinded by the camera flash.
~~~
BIO: Paulo Brito, he lives in Barcelos, Portugal. He writes since the age of 15 poetry and short stories as a matter of mental hygiene. Loves reading Rhys Hughes and David Soares. His influences are immense, because he was has always been a drinker of books.
BIO: Paulo Brito, vive em Barcelos, Portugal. Ele escreve desde os 15 anos poesia e histórias curtas por uma questão de higiene mental.
The Circus Tent, by Kerry E. B. Black
Brad and Lynn set up the miniature circus tent in the center of the living room. A blue flag topped the red and yellow striped canvas cylinder. Scallops and dags dripped in cheer, adding to the festive feel.
Adam clapped his chubby hands as he jumped and laughed. “I wuv it, Momma! Fank you, Daddy!”
Proud parents grabbed hands in a silent congratulations. The gift pleased their three-year-old son. Adam climbed through the door, blue to distinguish it from the rest of the tent, and vanished from site.
The interior was large enough for Adam to stand. If he reached up, he could not touch the spire. The light filtered through the material cast zebra stripes of gold and gray. His parents knelt at the entrance, enjoying Adam’s delight. He took his peanut butter and marshmallow whip sandwich inside, chatting to imagined companions.
“I swear, I smell roasted peanuts,” Brad said.
His wife pointed out the sandwich, raising her eyebrows at him. As she walked to the kitchen to tidy up the lunch dishes, he patted her rump. She giggled. However, he distinctly caught a whiff of fresh-spun cotton candy.
“Yippee!” Adam’s voice accompanied a thudding sound from inside. “I wuv horsies!”
Dad turned on the local afternoon news on the television, ignoring his son’s boisterous exclamations. An herbal scent, almost like alfalfa hay, drifted through. His wife must have lit a candle.
A phrase uttered by his son registered on his distracted parental consciousness. “Uh oh, she is naked.”
His boy was backing out of the tent, eyes covered with sticky hands, his tongue sticking out in a “yuck.”
“Son, what are you doing?”
“I don’t want to see the naked lady, dad. I am going to go to the baff room.”
The boy rushed down the hall to relieve himself. Under his arm was tucked a small clown stuffed doll that Brad didn’t remember.
Naked lady? His son possessed an active imagination, certainly. Still, Brad bent and pushed aside the blue door to looked inside of the tent.
On the canvas floor rested the plastic super hero plate, mostly-eaten sandwich and corn chip crumbs atop. He collected the lunch left overs and straightened, feeling the gentle caress of the canvas against his cheek as he stood. A whiff of jasmine and sandlewood made him think of belly dancers. He closed his eyes, picturing a bonfire around which swayed tanned hips barely clothed in silks and tinkling bells.
“Daddy, you are in my way!” He snapped out of his reverie, stepping aside to allow his son access to the tent’s interior.
“Did you light a fire, darling?” His wife inquired, taking the plate and kissing his flushed cheek.
“No, I thought you did.” She looked over her shoulder, head cocked to one side, but said nothing.
“I want an elephant ride!” His son voiced with enthusiasm from within his new play area.
Dad shook his head and reclaimed the comfortable position in his brown leather recliner, taking in the news. It was not long, though, before he dozed and dreamed of feather and sequence-clad beauties whipping lions until they obeyed each command. He woke aroused, hearing his wife and son playing a game. He looked at the tent and saw his wife’s pale legs sticking out of the entrance.
With a mischievous smile, Brad stepped over and ran his foot up the fleshy curves to the base of her pink shorts.
“Ahem, I will be right back, Adam.”
Her face appeared between the tent flaps. “May I help you?”
Smile crooked across his face, he leered, wagging his finger to entice her to follow.
She sighed, disappeared once more to kiss her son loudly (“ah, mom!”), then emerged to grab her husband’s hand. He guided her to their bedroom, then lavished kisses on her eager mouth and delicate neck. She gasped and responded, met kiss with passion, until they collapsed, spent and tangled in sheets no longer neatly upon their queen-sized bed.
She deposited little kisses like pops on her husband’s cheeks and forehead while he admired the pert bosom jiggling beneath her white cotton t-shirt.
“Lynn, we haven’t taken Adam to a circus. How do you suppose he knows so much about them?”
She stopped to consider. “I don’t know. What do you mean?”
“Well, he was talking about tigers and trained puppies and tightrope walkers. How does he even know the word trapeze?”
She laughed, shaking her head. “Adam is such a clever child!” However, her brow knitted.
A voice interrupted the short silence that followed. “Momma, Daddy? Watch what I can do!”
Dad wondered how long Adam stood in the bedroom doorway, but more startling were the three kitchen knives in his hands.
“I can juggle. The cwown told me I can.”
Mom reacted first, her voice quaking with concern. “Honey, you know that you are not allowed to touch knives.”
“I know, but watch. I am a circus p-former!”
The child threw the utensils into the air. Garnet splattered the white sheets and tan carpet as he attempted to catch the blades. Mom sat up and screamed. Dad lay frozen, propped on his elbows.
~~~
BIO: Kerry E.B. Black enjoys spinning story webs like a spider, waiting for prey. Other published works can be found in “Shades of Fear” and “Postcard Poems and Prose.” Follow at twitter BlackKerryBlick and http://kerrylizblack.wordpress.com/
the doom master, by Christopher Woods
holds the throttle
like a sword, smiling.
most teeth missing,
oh, and maybe a missing link,
he wants to execute someone,
has for weeks.
the dark carnival goes
town to rural Southern town,
with Midway in tow.
he is “The Tilt-O-Whirl” master,
making people cry out
in fear, sometimes in joy,
sometimes simply to vomit.
for so long it was enough,
till Gloria, “The Snake Girl,”
broke up with him.
he can’t kill her,
much as he wants to.
too many know about them.
so in every podunk hollow
he smiles his blank grin
and tries to decide which
young, happy couple in love
should be sacrificed.
his fingers are twitching.
he is aroused now.
each car is filled with young love.
he can taste the sex.
he lets loose the throttle
full speed, watches the cars
one by one
fly through the sky,
every thud a blessing.
~~~
BIO: Christopher Woods is a writer, teacher and photographer who lives in Texas. He has published a novel, THE DREAM PATCH, a prose collection, UNDER A RIVERBED SKY, and a book of stage monologues for actors, HEART SPEAK. His photographs can be seen in his gallery – http://christopherwoods.zenfolio.com/